At this point, we all know how a mystery box show works. There’s a big ensemble cast, they have interconnected stories, there’s a central puzzle the characters have to solve, smaller puzzles are doled out as the show progresses, and, hopefully, if it gets enough seasons, we, the viewers, get some kind of final explanation about What’s Actually Going On. Usually, these shows have some kind of fixed location — Apple TV’s Silo has the titular silo, HBO’s Westworld had its robot theme parks (for a while at least), and Showtime’s Yellowjackets has its cabin in the woods.
In other words, at this point in the late-stage streaming era, every show has sort of turned into Lost, the seminal ABC drama that spent six seasons following castaways stuck on a mysterious island. Heck, even the CW figured out how to turn Archie comics into a Lost-like mystery, with its notoriously unhinged Riverdale.
It’s no accident that there’s so many of these shows on streaming platforms right now. The streaming era’s collective brain trust has clearly figured that the best way to keep viewers paying an increasingly hefty monthly subscription price is to dangle tantalizing plot threads just out of reach, and hope viewers (pay to) stick around in order to find out what happens.
Yet in the midst of all the noise, there’s one mystery box drama that might be flying under your radar, tucked away on the somewhat obscure MGM+ streaming service—one that has actually managed to feel like a competent Lost successor while also figuring out some really fun ways to push the format.
It’s called From, and it stars one of Lost‘s main players, Harold Perrineau. And Jack Bender—who was at the helm of several episodes of Lost, including “Through the Looking Glass,” arguably the show’s best—directed 10 episodes of it. The second season is airing now, with new episodes every Sunday until the finale on June 25.
Here’s the premise: You drive off a highway and enter a small deserted town you can’t leave. If you do try to drive back to the highway, you just re-enter the town again, Pac Man-style. At night, creepy ghouls dressed like Norman Rockwell paintings—milkmen, sheriffs, secretaries, etc.—will come out of the woods and violently dismember you if they find you outside.
The clever twist on the Lost formula is in the framing. Unlike your typical mystery box show, which will chronicle the main cast’s arrival to their surreal limbo and then follow them as they unlock its secrets, From skips all that. When we first meet the main cast, they’ve been stuck in the town for years already, and they’ve pretty much given up on trying to figure out what’s going on. They’ve created systems for onboarding new arrivals, they have a functioning government of sorts, and have even found a few mysterious tools for protecting themselves from the weird demons that live in the woods.
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At this point, we all know how a mystery box show works. There’s a big ensemble cast, they have interconnected stories, there’s a central puzzle the characters have to solve, smaller puzzles are doled out as the show progresses, and, hopefully, if it gets enough seasons, we, the viewers, get some kind of final explanation about What’s Actually Going On. Usually, these shows have some kind of fixed location — Apple TV’s Silo has the titular silo, HBO’s Westworld had its robot theme parks (for a while at least), and Showtime’s Yellowjackets has its cabin in the woods.
In other words, at this point in the late-stage streaming era, every show has sort of turned into Lost, the seminal ABC drama that spent six seasons following castaways stuck on a mysterious island. Heck, even the CW figured out how to turn Archie comics into a Lost-like mystery, with its notoriously unhinged Riverdale.
It’s no accident that there’s so many of these shows on streaming platforms right now. The streaming era’s collective brain trust has clearly figured that the best way to keep viewers paying an increasingly hefty monthly subscription price is to dangle tantalizing plot threads just out of reach, and hope viewers (pay to) stick around in order to find out what happens.
Yet in the midst of all the noise, there’s one mystery box drama that might be flying under your radar, tucked away on the somewhat obscure MGM+ streaming service—one that has actually managed to feel like a competent Lost successor while also figuring out some really fun ways to push the format.
It’s called From, and it stars one of Lost‘s main players, Harold Perrineau. And Jack Bender—who was at the helm of several episodes of Lost, including “Through the Looking Glass,” arguably the show’s best—directed 10 episodes of it. The second season is airing now, with new episodes every Sunday until the finale on June 25.
Here’s the premise: You drive off a highway and enter a small deserted town you can’t leave. If you do try to drive back to the highway, you just re-enter the town again, Pac Man-style. At night, creepy ghouls dressed like Norman Rockwell paintings—milkmen, sheriffs, secretaries, etc.—will come out of the woods and violently dismember you if they find you outside.
The clever twist on the Lost formula is in the framing. Unlike your typical mystery box show, which will chronicle the main cast’s arrival to their surreal limbo and then follow them as they unlock its secrets, From skips all that. When we first meet the main cast, they’ve been stuck in the town for years already, and they’ve pretty much given up on trying to figure out what’s going on. They’ve created systems for onboarding new arrivals, they have a functioning government of sorts, and have even found a few mysterious tools for protecting themselves from the weird demons that live in the woods.